dc.contributor.advisor | Stenroos, Merja | |
dc.contributor.author | Napoli, Giancarlo Gjertsen | |
dc.date.accessioned | 2021-09-20T08:19:44Z | |
dc.date.available | 2021-09-20T08:19:44Z | |
dc.date.issued | 2021 | |
dc.identifier | no.uis:inspera:82285399:42930521 | |
dc.identifier.uri | https://hdl.handle.net/11250/2779105 | |
dc.description.abstract | This thesis is a comparative study that utilises theories of visual grammar and multimodality
to determine how Norwegian craft beer breweries use their product labels to transmit culture,
identity, and taste to their consumers. The study examines how a selection of craft breweries
utilise verbal and visual elements on their product labels to communicate a beer’s flavour and
aspects of culture to consumers whilst creating an identity and positioning themselves in a
rapidly growing market. The main assumption was that craft breweries rely on a combination
of modes such as text, image, colour, and layout, as well as using cultural references to
convey the distinct characteristics of their beers and the brewery itself.
The material for this study consists of 200 beer labels sourced from five Norwegian
craft breweries: Amundsen and Cervisiam located in Oslo, Lervig and Salikatt located in
Stavanger, and Monkey Brew located in Trondheim. These breweries were selected as they
were the five top-rated Norwegian craft breweries on the Untappd beer rating website as of 1st
September 2020. | |
dc.description.abstract | | |
dc.language | eng | |
dc.publisher | uis | |
dc.title | A Brewed Awakening: A Visual Analysis of Craft Beer Labels and Their Use of
Multimodality in the Transmission of Culture, Identity, and Taste. | |
dc.type | Master thesis | |