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dc.contributor.authorAbazovic, Dina
dc.date.accessioned2015-07-07T09:19:40Z
dc.date.available2015-07-07T09:19:40Z
dc.date.issued2015-05-13
dc.identifier.urihttp://hdl.handle.net/11250/286647
dc.descriptionMaster's thesis in Literacy studiesnb_NO
dc.description.abstractWhen Susan Sontag staged Waiting for Godot in besieged Sarajevo in 1993, several dramaturgical changes were made to Samuel Beckett’s play. Within the framework of memory studies, the thesis explores why and how the war affected the production and looks into the significance of the event as a part of the cultural resistance towards the aggressor. This has consequences on both the reading of the play and for the understanding of the role of art in times of crisis.nb_NO
dc.language.isoengnb_NO
dc.publisherUniversity of Stavanger, Norwaynb_NO
dc.relation.ispartofseriesMasteroppgave/UIS-HF-IKS/2015;
dc.subjectSarajevonb_NO
dc.subjecttheatre under siegenb_NO
dc.subjectSusan Sontagnb_NO
dc.subjectWaiting for Godotnb_NO
dc.subjectSamuel Beckettnb_NO
dc.subjectwarnb_NO
dc.subjectmemory studiesnb_NO
dc.subjectcultural resistancenb_NO
dc.subjectliteracynb_NO
dc.subjectlesevitenskapnb_NO
dc.titleWaiting for Godot in Sarajevo, 1993nb_NO
dc.typeMaster thesisnb_NO
dc.subject.nsiVDP::Humanities: 000::Literary disciplines: 040nb_NO


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