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dc.contributor.authorTrageton, Sigmund
dc.date.accessioned2023-01-13T09:17:10Z
dc.date.available2023-01-13T09:17:10Z
dc.date.created2021-01-25T09:57:05Z
dc.date.issued2020
dc.identifier.citationTrageton, S. (2020). In the pursuit of the authentic cinema. A comparative study of two films about the 22. July 2011 terrorist attack in Norway. AVANCA CINEMA. 2020, 11 (1), 474-482en_US
dc.identifier.issn0218-4052
dc.identifier.urihttps://hdl.handle.net/11250/3043257
dc.description.abstractFilms often tries to portray or represent historical events and the dominant mode of representation is the pursuit of an authenticity feeling. No matter whether it is a documentary or fiction, the goal is to give the audience an authentic experience about the historical event. This paper will compare two films, one documentary and one fiction, about the 22. July terrorist attack at Utøya in Norway where 69 youths were killed. The two films are “Reconstructing Utøya” (2018) directed by Carl Javer and “Utøya 22nd July” (2018) directed by Erik Poppe. This article will discuss the concept of authenticity in general and investigate which artistic strategies the films use in the search of the authenticity tone.en_US
dc.language.isoengen_US
dc.publisherEdicoes Cine-club de Avancaen_US
dc.rightsNavngivelse 4.0 Internasjonal*
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/deed.no*
dc.titleIn the pursuit of the authentic cinema A comparative study of two films about the 22. July 2011 terrorist attack in Norwayen_US
dc.typePeer revieweden_US
dc.typeJournal articleen_US
dc.description.versionpublishedVersionen_US
dc.rights.holderthe authoren_US
dc.subject.nsiVDP::Samfunnsvitenskap: 200::Medievitenskap og journalistikk: 310en_US
dc.source.pagenumber474-482en_US
dc.source.volume11en_US
dc.source.journalAVANCA CINEMAen_US
dc.source.issue1en_US
dc.identifier.doi10.37390/avancacinema.2020.a151
dc.identifier.cristin1878139
cristin.ispublishedtrue
cristin.fulltextpostprint
cristin.qualitycode1


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