dc.contributor.author | Lilja, Esa Olavi | |
dc.date.accessioned | 2023-02-02T07:22:39Z | |
dc.date.available | 2023-02-02T07:22:39Z | |
dc.date.created | 2020-01-27T15:35:14Z | |
dc.date.issued | 2019 | |
dc.identifier.citation | Lilja, E. (2019). Harmonic function and modality in classic heavy metal1. Metal Music Studies, 5(3), 355-378. | en_US |
dc.identifier.issn | 2052-3998 | |
dc.identifier.uri | https://hdl.handle.net/11250/3047843 | |
dc.description.abstract | This article explores harmonic function, modality and guitar distortion in so-called classic heavy metal. I suggest a dual framework for analysing heavy metal, including such mirror-symmetries as ‘major’/‘minor’, ‘sharp’/‘flat’, ‘bright’/‘dark’, ‘dominant’/‘subdominant’ and ‘authentic’/‘plagal’. My central aim is to demonstrate that heavy metal harmony tends towards plagal systems and darker modes, and yet has constant major elements added from the distorted power chords. | en_US |
dc.language.iso | eng | en_US |
dc.publisher | Intellect Ltd. | en_US |
dc.title | Harmonic function and modality in classic heavy metal | en_US |
dc.type | Peer reviewed | en_US |
dc.type | Journal article | en_US |
dc.description.version | acceptedVersion | en_US |
dc.rights.holder | The authors | en_US |
dc.subject.nsi | VDP::Humaniora: 000::Musikkvitenskap: 110 | en_US |
dc.source.pagenumber | 355-378 | en_US |
dc.source.volume | 5 | en_US |
dc.source.journal | Metal Music Studies | en_US |
dc.source.issue | 3 | en_US |
dc.identifier.doi | 10.1386/mms.5.3.355_1 | |
dc.identifier.cristin | 1783353 | |
cristin.ispublished | true | |
cristin.fulltext | postprint | |
cristin.qualitycode | 1 | |