• Grip mikrofonen? 

      Dahl, Per (Journal article; Peer reviewed, 2009)
      Listening to 210 recordings of Grieg’s opus 5 no. 3 from 1899–2005, I have selected a small section of the song (bars 10–16), and analysed the singer’s choice of expressions of intensity or intimacy. Intensity is defined ...
    • Kognisjon og musikk i grammofon-platelytterens perspektiv 

      Dahl, Per (Journal article; Peer reviewed, 2007)
      As part of my study of gramophone recordings of Grieg’s opus 5 no.3, I describe four stages in the process of music cognition. I point out that sonority is the most immediate impression of any sound, and therefore, most ...