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På kant med Kant : Et bekjennende essay

Dahl, Per
Journal article
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URI
http://hdl.handle.net/11250/185902
Date
2013
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  • Vitenskapelige publikasjoner (HF-IMD) [7]
Original version
Dahl, P. (2013) På kant med Kant : Et bekjennende essay. Studia Musicologica Norvegica, pp. 116-133  
Abstract
Kant can’t always be right. There are some aspects of Kant’s philosophy that make him unsuitable

for the understanding of a musical experience. His contribution to aesthetic theory is developed

in the Critique of Judgement (1790), where he investigates the possibility and logical status of

“judgements of taste”. In this essay, I argue that his exploration of the inherent limits of our

knowledge through philosophical reasoning seems to impede an understanding of the musical

experience. This experience is a combination of ontological and epistemological procedures that

precede a theory in music aesthetics. Taking a connectionist perspective, it seems impossible to

isolate the aesthetic judgement from its embodiment. This embodiment makes it necessary to

accept an epistemic dimension ahead of every aesthetic judgement. This epistemic dimension is a

combination of subjective experiences and the subject’s cultural knowledge. Using Kant’s theory in

music aesthetics might therefore reduce our understanding of the listener’s approach to a musical experience.
Publisher
Universitetsforlaget
Journal
Studia Musicologica Norvegica

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