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dc.contributor.authorVårdal, Karianne Holt
dc.date.accessioned2015-08-21T13:11:04Z
dc.date.available2015-08-21T13:11:04Z
dc.date.issued2015-05-12
dc.identifier.urihttp://hdl.handle.net/11250/297820
dc.descriptionMaster's thesis in Documentary productionnb_NO
dc.description.abstractThis essay is a close reading of the humor and irony used in Michael Moore's feature documentaries; Roger and Me, Bowling for Columbine and Sicko. Based on existing theories on humor and the documentary, my analysis is a reading of carefully chosen scenes to illustrate the different methods used to create humor and irony, as well as a attempt to describe why we laugh at these particular scenes. A review of critical discourse surrounding Moore's films and their use of humor, identifies issues with the comedy/documentary hybridization, yet also that Moore's signature style of documentary is one of the latest manifestations in the evolution of the feature documentary film.nb_NO
dc.language.isoengnb_NO
dc.publisherUniversity of Stavanger, Norwaynb_NO
dc.relation.ispartofseriesMasteroppgave/UIS-SV-IMKS/2015;
dc.rightsNavngivelse 3.0 Norge*
dc.rights.urihttp://creativecommons.org/licenses/by/3.0/no/*
dc.subjectdokumentarproduksjonnb_NO
dc.subjecthumornb_NO
dc.subjectdocumentarynb_NO
dc.subjecthumorousnb_NO
dc.subjecttreatmentnb_NO
dc.subjectactualitynb_NO
dc.titleHumorous treatment of actualitynb_NO
dc.typeMaster thesisnb_NO
dc.subject.nsiVDP::Social science: 200::Media science and journalism: 310nb_NO


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  • Studentoppgaver (SV-IMS) [1267]
    Master- og bacheloroppgaver i Endringsledelse / Kunst og kulturvitenskap / Samfunnssikkerhet / Dokumentarproduksjon

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