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dc.contributor.advisorDrangsholt, Janne Stigen
dc.contributor.authorBotting, Fred
dc.contributor.authorBraddon, Mary Elizabeth.
dc.contributor.authorBraun, Heather.
dc.contributor.authorCohan, Jeffrey Jerome.
dc.contributor.authorDavidson, Carol Margaret.
dc.contributor.authorKistler, Jordan.
dc.contributor.authorMargree, Victorian
dc.contributor.authorRandall, Bryony
dc.contributor.authorShea, Victor
dc.contributor.authorWhitla, William
dc.contributor.authorStoker, Bram
dc.contributor.authorStuart, Esther M.
dc.contributor.authorTylor, Jenny Bourne
dc.contributor.authorCrofts, Russell
dc.date.accessioned2021-09-03T16:34:45Z
dc.date.available2021-09-03T16:34:45Z
dc.date.issued2021
dc.identifierno.uis:inspera:81843026:35949144
dc.identifier.urihttps://hdl.handle.net/11250/2773560
dc.descriptionFull text not available
dc.description.abstractThis thesis is a comparative character study and close reading of Mary Elizabeth Braddon’s Lady Audley’s Secret (1862) and Bram Stroker’s Dracula (1897), which explores how the female mind and body is problematized as a threat in the form of the monstrous and unnatural figure of the femme fatale.
dc.description.abstract
dc.languageeng
dc.publisheruis
dc.titleThe Unnatural woman: Femme fatales in Victorian Gothic
dc.typeBachelor thesis


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