Code‐Switching in Fantasy Films: The Use of Constructed languages in Peter Jackson’s The Lord of the Rings and The Hobbit Trilogies

dc.contributor.advisor	Traxel, Oliver Martin
dc.contributor.author	Kolnes, Sebastian Rob
dc.date.accessioned	2022-07-01T15:51:29Z
dc.date.available	2022-07-01T15:51:29Z
dc.date.issued	2022
dc.identifier	no.uis:inspera:110340637:21584998
dc.identifier.uri	https://hdl.handle.net/11250/3002104
dc.description.abstract
dc.description.abstract	Code-switching into a constructed language is quickly becoming a staple of fantasy and science-fiction movies and TV-Series. This thesis examines instances of code-switching in The Lord of the Rings and The hobbit to establish patterns in the use of code-switching. The Markedness Model has been used to analyze the scripts in order to find this pattern and to determine if the code-switching that occur in these movies differ from code-switching in a natural verbal dialogue.
dc.language	eng
dc.publisher	uis
dc.title	Code‐Switching in Fantasy Films: The Use of Constructed languages in Peter Jackson’s The Lord of the Rings and The Hobbit Trilogies
dc.type	Bachelor thesis

Student papers (HF-IKS) [770]
Master- og bacheloroppgaver i Lesevitenskap / Literacy studies / Historiedidaktikk